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A team of dedicated board members, volunteers, and student interns has published every page in Volume 9. This volume includes 360 images of paintings and lyrical descriptions of birds, now available online for everyone to enjoy anywhere in the world. This is a monumental task. Each volume requires approximately 400 hours to photograph, edit, transcribe, catalog, and publish online. We need your support to complete this work.
If you're tech-savvy, have a good eye, are meticulous with details, and love structured data, please consider volunteering by emailing us at hello@rexbrasher.org.
We encourage all bird lovers and supporters to consider a monetary donation to support our mission to make Rex's work available for everyone. You can provide a one-time or recurring donation online.
It takes little imagination for the listener to "the exultant Sandpiper, wild, awing," to call the performer "the Sand Skylark." Music among northern races runs to minor strains and our Sandpiper is no exception. On bowed quivering wings the love-intoxicated bird swings aloft in circles, voicing a series of rapid sweet trills.
While anchored under one of the White Islands in Bay St. Lawrence, I listened to the wild, tremulous songs which sang the day to rest, and watched the little exquisites — mere points of black against the clear amber June evening sky. Even my dorymate, Flanagan, fell under the spell of that evening's beauty. . . . . Song, birds, sky and sea.
"Are they skylarks?"
"No, — Sandpipers."
"Them little leprechans that skitter along the sand?"
"The same."
"Well, I'll be damned!" (But that wasn't what he meant).
There was a time in humanity's history when it was considered "fun" to shoot into a flock of "peeps" just to see how many dropt. That time has gone by except where a particularly cruel specimen still does it. This bit of flesh, no bigger than one's thumb, is no longer on the "game bird" list.
North and South America.